- #Kanye west my beautiful dark twisted fantasy release date full#
- #Kanye west my beautiful dark twisted fantasy release date registration#
His increasingly pop-oriented beats sometimes proved garish on 2005’s Late Registration and 2007’s Graduation, but Dark Twisted Fantasy stands as his most progressively produced album yet.
#Kanye west my beautiful dark twisted fantasy release date full#
On The College Dropout, his expansively, breathlessly beautiful 2004 debut, West architected a sound full of posh samples and crisp percussion. “Devil in a New Dress” brims with soulful flourishes, creating an air of lush exuberance that recalls his older work. “Champagne wishes / 30 white bitches / I mean, this shit is fuckin’ ridiculous,” West asserts over the hiccupping hi-hats and synthetic strings of “So Appalled.” The line illustrates a triumphant portrait, but West’s churlish snarl is tellingly ominous, as if champagne and “white bitches” are necessities to mute his barely contained disillusionment. That sense of despair lingers throughout Dark Twisted Fantasy, revealing itself in ways that aren’t immediately noticeable. West, like Jackson, was angry: angry with the public that fed off his anguish, angry with himself for so tirelessly courting success that ultimately proved hollow. In June, after an extended period of lull, West roared to life with “Power,” a tune saddled with the same excess baggage as Michael Jackson’s 1995 album HIStory. The Chicago native won little sympathy-instead, he received derisive potshots from blog pissants, tweeting celebrities, and even our sitting president-and reacted with unsurprising vengeance. The intervening years were also laborious: rumors of alcoholism, canceled tour dates, awards show meltdowns, and the ever looming specter of his mother’s 2007 death propelled West into a tailspin of isolation so severe that some wondered if he had another good record in him. Yet Heartbreak was patchy in execution, with lyrics that were hastily written and vocals that relied too heavily on Auto-Tune. His previous disc, the volatile, romantically despondent 808s & Heartbreak, found the artist in a uniquely unfocused state, as if he’d spent weeks in the studio with nothing except his liquor and his confused, conflicted thoughts. The steely, insistent, often self-produced beats prove an accommodating backdrop for West, who is contemptuous to such a degree that one can imagine these sentiments coming from Jay-Z, circa The Dynasty: Roc La Familia.ĭark Twisted Fantasy is also a much stronger work than anyone could have reasonably expected from West. On Dark Twisted Fantasy, West surrounds himself with gruff collaborators like Pusha T of Clipse and Raekwon of Wu-Tang Clan. The 33-year-old does not identify as a conscious rapper, but in his endless pursuit of validation from tougher peers, West has penned a revealing and moving character study. He spends the entirety of Dark Twisted Fantasy discussing his sexual and financial prowess in a way that contrasts sharply with his “backpacker” image, suggesting tiredness with being pigeonholed as a disciple of the Native Tongues. Onyx, Chino XL, and Big Pun might talk endlessly about violent strife, but West is different. He delivers the couplet in a remorseless growl that confirms his constant need to reaffirm his masculinity, a trait that distinguishes him even in the testosterone-driven world of hip-hop. It’s a nuanced, intimately personal record wherein even ostensibly boastful tracks are tangled with insecurities, both personal and professional.Ĭonsider the uncomfortable moment on “All of the Lights” when West admits to slapping a former girlfriend. He was always among the best rappers working-unlike most of his hip-hop peers, West will never be content to deadpan complacent boasts-but the extent of his remaining creativity wasn’t clear until a few weeks ago, when My Beautiful Dark Twisted Fantasy leaked online. His music, forever brazen in its disregard for structure or subtlety, seemed like an acquired taste, yet he made fans out of everyone: indie snobs, rap purists, anybody who could appreciate the frustrations and rewards of unbridled ambition.īut maintaining the endless spectacle of his career proved difficult for West, who in recent years has appeared strangely adrift. But what made West such a perpetually compelling figure was the sweeping sense of purpose that motivated his every enterprise. “Jesus Walks” and “Gold Digger” won him Grammys the Katrina telethon and Christian-baiting Rolling Stone cover earned him wider cultural attention.
There was a time when Kanye West seemed too inventive, too smart and too good for pop music.
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